Publications

Support the Magazines That Have Given Me Temporary Shelter

Amoskeag (2011), “[sic]“: About a caregiver who discovers a typographical error on his birth certificate that allows him to develop a second self, capable of many things which he is not. Riddled with punning and wordplay and, I’d like to think, it works better with multiple readings.
The Wisconsin Review Vol. 45 (2011), “Gehenna”: Between early 2006 and May of 2008, I didn’t complete a single piece. I spent half of that time, however, drafting an exceedingly bleak piece entitled “Plastics” that was eventually obliterated and reduced to Post-It notes. In 2009, those became this—a story of which I’m quite fond.
The Willard & Maple (2011), “Horse Latitudes”: Magazine’s website is presently down for retooling; issue will be out mid-2011. “Horse Latitudes”—about a Louisiana man so terrified by Hurricane Katrina that he decides to drag and relocate his trailer home to the top of a mountain—has a rather complicated genesis. If interested, click away.
Natural Bridge No.23 (2010), “Hibakusha”: Written in December of 2004, this story earned me the nerve-wracking honor of being the only student ever to read at the yearly professors-only event. “Hibakusha” is a sad story, sure, but I still think the meta-texts its protagonist writes are hilarious.
Spindrift (2010), ”Husk”: I’ve never seen it in the local Barnes & Noble, but Spindrift is the CVs of a number of favorite authors, and it was rated highly in the 2009 issue of Writers’ Market. After three complete implosions/revisions, I couldn’t’ve been more thrilled that “Husk” (which had its infancy as a very different story in ’04) finally found a home.
Palo Alto Review Vol. XVI, No. 1 (2007), “Holophrastic”: I wrote this story in about four hours. I never work that quickly. The older I get, the slower I work, but even in ’04, when “Holophrastic” was drafted, it usually took me three or four weeks to crank something out. This seems to be the way with musicians’ chart-topping singles—the ones they end up resenting. Emails to editor Ellen Shull still work to wrangle a copy of the issue.
The Licking River Review Vol. 35 (2004), “Pier 32″: It’s not quite right to say that I’m embarrassed by this particular story, but let’s just say that, until recently, even I didn’t have a copy of it anymore.
Redivider Vol. 1, No. 1 (2003), “Marooned” : The first short story I completed to my satisfaction, and the first to be accepted for print (on its first round of submission). Boy, did that give me a false sense of hope about the relative ease of navigability of the world of publishing.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    Read: Why You Should Support the Magazines That Feature Your Favorite Artists