I. Regardless of the Appearance of Inherent Romance: Starving Artists Don’t Particularly Enjoy the Starving, Nor the Table-Waiting Required to Pay Rent.
Way back in October, when this site went live, I mentioned my disdain for the romantic American myth of the Starving Artist. It goes hand-in-hand with the archetypal American villain, . . . → Read More: Free Books Coming Soon; Contest Rules; State of the Union
The multiplatform, multimedia extravaganza that was 2007’s Year Zero Alternate Reality Game brought a new creative medium to the attention of thousands, perhaps millions—people who, by and large, had no previous experience with such things. Alternate Reality Games are curious things: interactive, but largely constructed as a vector to deliver an already composed narrative to . . . → Read More: Another Version of the Truth: The Alternate Reality Game as Ergodic Literature
What? The website’s subtitle promises “Other Sundry Excitements.” This is one of them. So, off we go.
In the summer of 2009, I bought something like sixty LPs and worked slowly through those, an effort which took me well into 2010. I wanted to find some new artists . . . → Read More: 2010′s (Revised) Top Ten in Music
I began to weep with the first drumbeat. The gurgling, pre-recorded, public address system-blasted strains of “999,999”—which sounds very much like a man overpowered, dragged underwater by an inexorable force to a place familiar, yet undesirable—had faded in so gradually that neither the audience in general nor I had noticed it . . . → Read More: In This Twilight
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